Category Archives: Cameras

List of interaxial (lens spacing) for well known 3D cameras

This is from the Amazon wiki on “stereoscopy”:

  • 10 mm Panasonic 3 D Lumix H-FT012 lens (for the GH2, GF2, GF3, GF5 cams and also for the hybrid W8 cam).
  • 12 mm Praktica and Medion 3D (two clones of the DXG-5D8 cam).
  • 20 mm Sony Bloggie 3D.
  • 23 mm Loreo 3D Macro lens.
  • 25 mm LG Optimus 3D and LG Optimus 3D MAX smartphones and the close-up macro adapter for the W1 and W3 Fujifilm cams.
  • 28 mm Sharp Aquos SH80F smartphone and the Toshiba Camileo z100 camcorder.
  • 30 mm Panasonic 3D1 camera.
  • 32 mm HTC EVO 3D smartphone.
  • 35 mm JVC TD1, DXG-5G2V and Vivitar 790 HD (only for anagliph stills and video) camcorders.
  • 40 mm Aiptek I2, Aiptek IS2, Aiptek IH3 and Viewsonic 3D cams.
  • 50 mm Loreo for full frame cams, and the 3D FUN cam of 3dInlife.
  • 55 mm SVP dc-3D-80 cam (parallel & anagliph, stills & video).
  • 60 mm Vivitar 3D cam (only for anagliph pictures.
  • 75 mm Fujifilm W3 cam.
  • 77 mm Fujifilm W1 cam.
  • 88 mm Loreo 3D lens for digital cams.
  • 140mm Cyclopital3D base extender for the JVC TD1 and Sony TD10.
  • 200mm Cyclopital3D base extender for the Panasonic AG-3DA1.
  • 225mm Cyclopital3D base extender for the Fujifilm W1 and W3 cams.

via Stereoscopy – Shopping-enabled Wikipedia Page on Amazon.

For those new to 3D, the interaxial distance is the spacing between the center of the left camera lens and the right camera lens. The interaxial is a critical component to creating good 3D depth effects. Too large, and the viewers eyes will hurt. Too small, the depth effect will be minimal. The key is to select the right lens spacing for the “depth box” in front of the camera. Objects within the depth box will have appropriate parallax and good depth effects.

Most consumer and semi-pro 3D cameras have relatively narrow lens spacing – they are perhaps best for shooting 3D photos or video of kids in the backyard or at the park. Beyond a few tens of feet (or meters) the depth effect vanishes and those parts of the image appear flat.

How camera companies muck up their marketing efforts

They all build great cameras but only a couple excel at marketing – Readers story: “Marketing advice to Olympus, from a hobby photographer” by Mark Ryan Sallee | 43 Rumors.

The writer of the linked story remarks that “micro 4/3ds” as a brand is unfortunate. “Micro” implies small while 4/3ds is a fraction and most people have minds that go numb at the first mention of numbers – especially fractions!

Canon and Nikon do a good job selling the sizzle, rather than the steak. Canon largely markets a life style – people using Canon gear live exciting lives of travel and fashion.

The writer goes on to the multiple and confusing brands often used by a single camera maker.  I find the market segmentation has gone to extremes – from all camera companies. Check out their lower end product lines and they often have dozens of different cameras that cause consumer confusion.

I have been looking at 3D video cameras and find oddities there too.  Such as 3D video cameras that shoot only 1080i interlaced images and not progressive images, yet my inexpensive camcorder shoots 1080p! And then the use of storage formats like MVC that were not originally supported (and often still not) in common video editing software. What were they thinking?

 

Guide to 3D Photography e-book available

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Guide to 3D Photography

E-Book Available from Amazon.com

Click Here to Buy!

Guide to 3D Photography is for the beginning 3D photographer, showing how to get started, how to process images on your computer or tablet, and how to view your 3D photographs. You can begin shooting 3D photos using one camera or two, or using integrated 3D cameras.

This is a hands-on guide with step-by-step examples for shooting, processing and displaying your 3D images. This guide is intended for the novice to mid-skill level 3D enthusiast; this guide is not targeted at experienced 3D photographers.

Anyone can shoot and process 3D – this book shows you how.

Using free software that runs on Windows-based personal computers, or free or low-cost apps for iPad or Android tablets and smart phones, your stereo photographs can be turned into viewable 3D photos for display on your computer, displayed online or printed on paper or turned in to glasses free 3D prints (for a service fee).

While 3D TVs and monitors provide the best viewing experience, you can get started with free or very low cost filtered glasses. You’ll even learn how to create 3D photos that can be viewed without any glasses or special hardware.

NOT RECOMMENDED for Black & White or gray scale e-readers as the 3D color photographs in the books can not be viewed – however the photos are available separately online.

RECOMMENDED FOR COLOR E-READERs including color tablets and e-reader software on tablets, notebooks and desktop computers.

Guide to 3D Photograph covers learning “how to see in 3D” to achieve the best 3D effects while avoiding common 3D problems that can ruin 3D photos or cause eyestrain for viewers. The book also covers methods for shooting 3D with one camera, with two cameras, or with commercially made, special purpose 3D cameras, and viewing 3D photos on 3D monitors.

Advanced topics include the concept of a 3D “depth box”, the importance of the spacing between the left and right image lenses and how that impacts depth captured in the photograph, advanced image processing techniques and methods of creating “wiggle” animated 3D images, as well as red/cyan, green/magenta, yellow/blue and amber/blue anaglyphs.

166 single spaced Microsoft Word pages. Over 100 photos including red/cyan anaglyph 3D, cross-eyed 3D and 2D photographs. Over 50 illustrations/drawings or screen shots.

Table of Contents
Contents
Trademarks and Copyrights
Preface
Chapter 1 – Introduction to 3D Photography
Chapter 2 – Shooting and Processing Your First 3D Photo
Chapter 3 – Processing 3D Images on iPad and Android Tablets
Chapter 4 – Learning to see in 3D
Chapter 5 – Using Two Cameras for 3D Photography
Chapter 6 – Integrated 3D Cameras
Chapter 7 – Displaying 3D photos
Chapter 8 – Additional Stereoscopic Image Corrections
Chapter 9 – Advanced 3D Image Shooting and Processing
Chapter 10 – Afterword: The Future of 3D Photography and 3D Video